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Page Title: Image Sharpness
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Table 4-1.–How to Control Depth of Field
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Photography (Basic) - Introduction to photography and other graphic techniques
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Focal-Plane Shutter

302.101 Figure 4-14.–When the lens is focused at 20 feet and set at f/22, the depth of field ranges from about 10 feet to infinity in sharp focus. In figure 4-14, when the lens is set at f/22 and focused at infinity, the depth of field ranges from about 20 feet (the hyperfocal distance) to infinity; however, when you change the lens focus to 20 feet, the depth of field ranges from about 10 feet to infinity. The lenses of modern SLR cameras stay at their maximum aperture until the shutter is tripped. These lenses provide a bright image in the viewfinder to focus. As a result, when you look through the viewfinder, you only see the depth of field for the maximum aperture and not the working f/stop. Most SLR cameras have a depth-of-field  preview  button  to  compensate  for  this. When you press it, the aperture closes down to the set f/stop.  Although  the  viewfinder  becomes  darker,  you can see the actual depth of field at the selected aperture. Image  Sharpness The outer edges of a lens are least likely to produce a well-defined or aberration-free image; therefore, proper use of the diaphragm, aperture, or f/stop can improve image sharpness by blocking off light rays that would otherwise pass through the outside edges of a lens. There is a limit to how far the aperture can be stopped  down  and  still  increase  image  sharpness.  When the aperture is very small, it causes diffraction of light rays  striking  the  edge  of  the  diaphragm.  Diffraction results in a loss of image sharpness. This loss of image sharpness is especially noticeable in copy work Physical limitations in the design of lenses make it impossible to manufacture a lens of uniform quality from the center to the edges; therefore, to obtain the best quality with most lenses, you can eliminate the edges of the lens from being used by closing down the aperture about two f/stops from wide open This recommended adjustment  is  called  the  optimum  or  critical  aperture. The optimum aperture for a particular lens refers to the f/stop  that  renders  the  best  image  definition. When a lens is stopped down below the optimum aperture, there is an actual decrease in overall image sharpness due to diffraction. Although the depth of field increases when a lens is stopped down below the optimum   aperture,   image   sharpness   decreases; therefore,  increased  depth  of  field  should  not  be confused with image sharpness. For example, the image formed by a pinhole camera has extraordinary depth of field but lacks image sharpness. When the lens aperture is closed down to the size of a pinhole, it behaves like one. This is an important factor for subjects in a flat plane (such as copying) where depth of field is not needed. SHUTTER A camera shutter controls both the exact instant when the film is exposed to light and the duration of that exposure. The shutter is used in conjunction with the diaphragm to control the exposure of the film. The most important function of the shutter is that it limits the time that light is allowed to pass through the lens and act on the film. There are two types of camera shutters: leaf and  focal  plane. Leaf  Shutter The blades of this type of shutter are usually located between or near the lens elements and close to the diaphragm. It is sometimes called a between-the-lens shutter; however, a more correct term for this type of shutter is a leaf or diaphragm shutter. Leaf shutters have several blades made of thin spring steel. When the shutter is closed, these blades, or leaves, are at rest and overlap each other. This prevents light from reaching the film. When the shutter release button is pressed, the blades move apart or open quickly and allow light to pass and expose the film. They remain open for the duration of the preset exposure time before springing  shut  again  (fig.  4-15). 4-12

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