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Page Title: Table 1-2.–Amount of light, f/stop, and Exposure Time Relationship
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Table 1-1.–Comparison of f/stops with Amount of Light to Exposure Time
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Photography (Basic) - Introduction to photography and other graphic techniques
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f/stops Functions

Table 1-2.–Amount of light, f/stop, and Exposure Time Relationship f/stop 1 1.4 2 2.8 4 5.6 8 11 16 2 2 32 4 5 6 4 Relative  exposure Relative  amount  of  light  admitted 0.06 0.12 0.25 0.50 1.0 2.0 3.0 8.0 16.0 32.0 64.0 128.0 256.0 The first (lowest) f/stop marked on the lens mount is the correct value for its largest aperture. The next number is the nearest f/stop in an arbitrary series that has been adopted as a standard. In this standard series, each succeeding number going up the scale (from the largest opening to the smallest) permits only half as much light to enter the camera. Thus, as the numbers get larger,  the  diaphragm  openings  (apertures)  become smaller. However, moving the index pointer in the reverse order, down the scale (from the smallest opening to  the  largest),  the  numbers  get  smaller  and  the diaphragm  openings  become  larger.  As  shown  in table 1-1, the smallest number may not admit exactly twice  as  much  light  as  the  next  larger  number. Nevertheless,  the  amount  of  light  admitted  remains inversely proportional to the square of the f/stop, and the exposure required is always directly proportional to it. All lenses are indexed with the standard series of f/stops either completely or in part-except for the first f/stop (as stated earlier) that is computed to indicate the correct   value   of   the   maximum   aperture.   The photographer should become acquainted with this series, so its relative values are known. The following table is a listing of the f/stop, better known as the standard full stops. A comparative exposure based on 1 second at f/4 or 16 seconds at f/16 is also shown (table l-2). 16 8 4 2 1 1/2 1/4 1/8 1/16 1/32 1/64 1/128 1/256 By studying the table, you can see that when the lens aperture is opened one full stop, the amount of light transmitted is twice that of the nearest preceding stop. And altering the f/stop one full stop less (stopping down) reduces the amount of light passing through the lens to one half that of the nearest larger stop. In  summary  then: Light passes through an opening (aperture) of the lens. The diameter of the aperture can be changed. The openings are called f/stops. The f/stops indicate to the photographer that a lens (any lens) with a specific f/stop allows a given amount of light to the film. Thus a 12-inch focal-length lens set at f/4.5 gives the same exposure as a 6-inch focal-length lens set at f/4.5. The f/stops represent a fraction of the focal length of the lens for a given lens; that is, an f/4 lens has an effective maximum opening of one fourth of its focal length. From one full f/stop to the next full f/stop, there is a constant factor of two. As the opening changes from f/8 to f/l1, the light passing through the lens is reduced by one half because the larger f/stop (f/11) is a smaller aperture. When the aperture is changed from f/8 to f/5.6, the light passed is doubled because the aperture has been made  larger. 1-21

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