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Acronyms
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Illustrator Draftsman 3 & 2 - Volume 2 Standard Practices and Theory
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The cone of visual rays.

Perspective Introduction Two types of projections or methods of realistically representing objects on a page  are  parallel  projection  and  perspective  or  central  projection.  Parallel projection is used for technical drawings and blueprints and is covered in the next chapter.    Perspective or central projection is used in creative art or technical sketching but seldom in technical drawing. Perspective or Perspective projection, sometimes called central projection, is the method by central which artists realistically portray three-dimensional objects on a two- projection dimensional plane.    Perspective  or  central  projection  is,  in  theory,  where objects are drawn on a page by extending lines of sight called projectors from the eye of the observer through lines and points on the object to the plane of projection.    The resultant drawing is always called a central projection because the lines of sight or projectors meet at a central point -the eye of the observer. The projected view of the object may vary considerably in size according to the relative positions of the objects and the plane of projection. Varying from natural perspective distorts images into abstract or expressive representation. Perspective alone will not effectively create the illusion of three  dimensions  without  tone  or  shading.  In  photography,  perspective dominates.  Although  scene  replication  is  almost  exact,  photography  has crucial  limitations  regarding  field  of  view.  The  human  eye  sees  wide  and  far but the photographic lens has field of view limitations that even with corrective lenses results in distortion. Corrective wide-angle lenses typically result in distortion called  barrel distortion,  where the lines parallel to the sides of the picture frame bow inward at the center. Figure 5-1 illustrates the effect of barrel distortion. Figure 5-1.—Differences  in  a  cube  exhibiting: A. Normal perspective, and B. Barrell distortion. Continued  on  next  page 5-3

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