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Illustrator Draftsman 3 & 2 - Volume 3 Executionable Practices
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Figure 1-32.—Wet  brush  blending.

Water-Based Pigments, Continued Special SALT: Salt placed on the wet surface of a watercolor painting will repel equipment (Continued) pigment around it leaving a white spot difficult to create any other way. This is an especially effective technique for creating snow and sand. STENCILS: Stencils placed on a painting surface will protect areas from receiving  pigment.  You  can  cut  the  edge  of  a  stencil  straight  or  jagged.  For a softer edge, raise the stencil slightly from the paper surface. MASKING  FLUID:  Liquid  rubber  cement  or  a  commercially  prepared  liquid frisket protects areas you do not want to receive pigment.    After the paint dries, the masking fluid can be removed by rubbing gently over the surface of the frisket until it releases or curls away. Blending techniques The two blending techniques are the wet-brush and the dry-brush method. Wet brush blending Wet brush blending uses water to blend water-based media.   Apply the wet brush technique after you finish setting the flat tones on the subject. To employ the wet brush blending technique, follow this table: Step Action 1 Set the flat tones of the subject. 2 Lay both selected values side-by-side, overlapping slightly. 3 Wet your brush in clear water. 4 Starting at the top, work your brush back and forth over the area where  the  values  overlap. 5 Clean  the  brush  and  wet  it  slightly. 6 With vertical strokes, soften the previous horizontal strokes. Be careful to not lift the paint as you soften the strokes. Continued  on  next  page 1-61

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