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Underpainting
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Illustrator Draftsman 3 & 2 - Volume 3 Executionable Practices
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Acrylic-Based Pigments

Oil-Based Pigments, Continued Alla prima Alla prima painting is a technique in which the painting is started and finished in one sitting. Only the finishing step is applied later after the painting dries. Improvised A technique in which there is no structure or preplanning of images and paint painting application is called improvised painting. Special equipment Special equipment used to create special effects consists of scraping tools, paper  towels  or  sponges,  and  toothbrushes.  Tools  you  chose  to  create  special effects is limited only by your imagination. SCRAPING  TOOLS:  Scraping  tools  remove  pigment  from  canvas.  A scraping tool leaves a distinct mark and can expose the linen texture of the canvas.  Scraping  tools  include  palette  knives,  razor  blades,  pins,  nails,  saw blades-any  object  that  will  remove  the  pigment. PAPER  TOWELS  and  SPONGES:  Paper  towels  and  sponges  push  pigment around on the canvas surface imparting their own imprint to the paint. TOOTHBRUSHES:  Toothbrushes  or  any  stiff  bristled  brush  will  texture paint when you stab or drag the bristles through the pigment. Oil paint storage When painting in oil paint, you can save excess paint left on the palette between painting sessions by immersing the palette in clean, cool water. Water does not dilute or affect oil-based paints. Finishing techniques Most oil paints require an over coat of thin, soft varnish or shellac.    You may apply varnish or shellac as a matte or gloss surface treatment.    Make sure the painting is thoroughly dry before applying a finish coat.    If you do not, moisture trapped under the finish medium hazes or forms white clouds. This aberration is known as bloom. Exercises in oil Practice handling oil-based paints with a brush. Load the brush with the paint pigment.  Palette  the  brush  to  position  the  pigment.  Blend  colors  and  values. Develop a thorough, methodical procedure for painting. 1-52

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