Click Here to
Order this information in Print

Click Here to
Order this information on CD-ROM

Click Here to
Download this information in PDF Format

 

Click here to make tpub.com your Home Page

Page Title:
Back | Up | Next

Click here for a printable version

Google


Web
www.tpub.com

Home


   
Information Categories
.... Administration
Advancement
Aerographer
Automotive
Aviation
Combat
Construction
Diving
Draftsman
Engineering
Electronics
Food and Cooking
Math
Medical
Music
Nuclear Fundamentals
Photography
Religion
USMC
   
Products
  Educational CD-ROM's
Printed Manuals
Downloadable Books

   

 

Back
Degrees of hardness
Up
Illustrator Draftsman 3 & 2 - Volume 3 Executionable Practices
Next
Exercises in charcoal and pastel

Pastels and Charcoals, Continued Pastels Pastels are pigment, chalk, and a binder in stick or pencil (wood encased) form.  The  binder  is  usually  gum  tragacanth.  Pastel  sticks  apply  broad swatches of color while pastel pencils draw thin, precise lines. You may use pastels as a opaque or semi-opaque medium. Pastels combine easily with other media such as pencil, crayon, and paints to form mixed media images. Degree of softness Pastels come in soft, hard, or semi-soft sticks and in pencils. The softer the pastel, the more dust produced by heavy strokes.   Hard  pastels  work  better on smooth-surfaced paper than softer pastels that require a paper with some tooth. Drawing with Pastels are a drawing medium capable of producing painterly images.   When pastels drawing with pastels, you should have stumps or tortillons, a stiff brush, and soft,  hard,  and  kneaded  erasers  nearby.  The  paper  you  select  must  have tooth.  Hold  pastels  as  you  would  pencils.  Drawings  generally  proceed  from dark to light. Shading and color gradations are made by crosshatching or overstroking  pastel  strokes  until  you  produce  the  desired  effect.  When drawing with oil pastels, use a brush lightly moistened with turpentine for blending. Pastel finishing At the completion of the drawing, spray over the entire image with fixative. If the drawing loses all highlights, the fixative was too strong and you will have to redraw the highlights. Storing pastels When  storing  pastels,  separate  the  drawings  with  a  sheet  of  acetate.  Avoid surface pressure and lateral movement.    Although sprayed with a fixative, the surface of a pastel drawing may still rub off and smear. Oil chalk Oil chalk has the appearance of pastels but, it contains oil.    Do not use oil chalk with pastels.   The oil binder may leech into the pastel paper leaving a halo of darker paper around the pigment.    Use oil chalk with oil-based pigments and impasto.   You can also use oil chalk to detail or delineate. Turpentine brushed onto oil chalk will eliminate or blend strokes. Continued  on  next  page 1-46

Privacy Statement - Press Release - Copyright Information. - Contact Us - Support Integrated Publishing