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Desktop Color
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Illustrator Draftsman 3 & 2 - Volume 3 Executionable Practices
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Summary

Desktop Color, Continued Image capture The three types of image capture are line art, grey scale, and color. LINE  ART:   Line art is images that are either black or white and have no gradations in tone.   Line art scanners record black as one bit and white as one  bit.  This  is  called  one-bit  or  bilevel  scanning.  Simulating  halftones  in the scanned image is known as dithering. GREY  SCALE:  Grey  scale  scanning  is  for  continuous-tone  art.  The  scanner assigns grey levels based on the light that reflected from or passing through the original image. Increasing bits per pixel (pixel depth) increases the number of greys recorded and proportionally increases file size.    Eight-bit scanners produce 256 levels of grey. COLOR:  Desktop  color  scanners  usually  allow  8  bits  per  spectral  primary and 8 bits for black totaling 24 bits of information per pixel.   This creates a palette with more than 16 million available colors. Color monitors should be capable of displaying 24 bit color.   Convert images scanned as 24 bit color to 8 bits before displaying the image on monitors incapable of displaying 24 bit color. Color monitors Color monitors display images and text while you work in the document. The resolution and accuracy of a desktop system depends heavily on the quality of monitor.   Monitor resolution is defined by dpi (MAC) or pixels (PC). Screen  size  is  measured  diagonally  across  the  monitor  face.  Large monitors that display a full page or a two-page spread horizontally are ideal for the DM and this type of monitor accuracy is often called WYSIWYG (pronounced whizzywig), an acronym for What You See Is What You Get. WYSIWYG monitors and appropriate software allow the DM to create and correct art and copy with unparalleled accuracy.   What you see on the horizontally oriented screen is exactly what the hard copy should look like. Vertically oriented monitors are called portrait monitors. 2-37

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