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Electronic  Prepress  Preparation
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Illustrator Draftsman 1 & C - Volume 4 Presentation Graphics
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Spot color

Color   Separation Introduction You may have an opportunity to create artwork intended for color printing using  the  traditional  offset  lithographic  process.  The  three  types  of  color separation  processes  are  process  color,  spot  color,  and  fake  color.  The format of the master artwork determines the type of separation process you use. Process  color When you create the master artwork in a continuous tone medium, such as a watercolor or a photograph, the color separation process is left to the camera operator.  This  is  process  color.  Very  close  reproductions  result  from  using color in the artwork similar to the color available to press inks. How process color works The printer makes four separate negatives and four separate press plates for each  piece  of  continuous  tone  color  artwork.  Since  colors  photograph  as black or shades of grey, the printer uses regular black-and-white film.    A grey scale, photographed along side the artwork will assist the photographer in comparing densities and contrast for each negative. The negatives must have the same contrast and density or the resultant print will be out of balance.  Shooting  through  a  halftone  filter  and  a  series  of  color  filters separates the colors of the original copy and breaks the image into a dot pattern.  The  printer  changes  the  angle  of  the  halftone  screen  for  each negative to cause the dot pattern to overlap or print side by side in the final print.  A  blue  filter  records  yellow,  a  red  filter  records  cyan  (blue),  a  green filter records magenta (red), and no filter or a combination of the three filters records  the  black  in  the  original.  Conventionally  develop  the  film.  Hand correct  any  negative  aberrations.  Expose  and  develop  the  press  plates.  Pull a proof from the press plate in the appropriate color. This is known as a progressive  proof.  The  colors  of  the  original  artwork  reproduce  when  the plates  are  run  on  the  press  in  the  proper  colors  of  ink.  Overprinting produces  the  color  sensations  of  secondary  and  tertiary  colors.  Overlapping three or more colors produce black. Continued  on  next  page 1-56

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